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Vigil for Islamic Center of Murfreesboro

Monday evening, community supporters of religious freedom in Murfreesboro, Tennessee gathered in front of the Rutherford County Courthouse for a candlelight vigil only two days after vandals set fire to a piece of construction equipment on the construction site of the new Islamic Center of Murfreesboro.  While the theme of the night was understanding, tolerance, and the freedoms afforded to us by the constitution, the underlying cause, the construction of the new center, was at the core of the vigil.  The right to worship as one chooses, and to construct houses of worship, played a key role, and speakers repeated themes of past persecution in the area with the idea that the theme must end.

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Islamic Center of Murfreesboro

Prayer at the Islamic Center of Murfreesboro

Last night, I spent the evening photographing Iftar and prayer at the Islamic Center of Murfreesboro, and it was quite an evening.  I became interested in beginning some documentary work at the center after reading a great deal about the “controversy” in Murfreesboro surrounding the construction of their new Islamic Center, mirroring the controversy over the center in New York.  Apparently, there is a small minority of individuals in Murfreesboro who believe that this new center would be a place for generating hate and “training militants.”  Yes, really.  Just take a look at their facebook page, it has it right in the name.

EDIT:  It seems that someone has taken down the facebook page for “Rutherford County Citizens Against a Mosque/Training Center.”  I can’t even find a cached google page for it.  My guess is Homeland Security or the FBI has something to do with this one.  As of this post last night it was still around, if anyone can find a cache of it let me know.

The reality is that the current center, as you may see in my photographs, is dreadfully small and crowded, and on certain days it is so overpacked that people have to pray in the parking lot.

Crowding at the Islamic Center of Murfreesboro

Now, Murfreesboro has 160 churches, and several mega-churches (which I hope to photograph on my next visit to juxtapose with these images).  The center needs to expand, and the opponents’ arguments (at least, the ones they’re making to the government, the facebook group shows what their real arguments are but those aren’t valid in a society where enforcing that sort of prejudice is illegal) are that they have environmental concerns, economic concerns, etc.  Nobody raised these concerns when those 160 churches were built though.  Just over one Islamic center.  (more after the jump)

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Experimenting with Light

After browsing around the blog of photojournalist David Hobby, proprieter of Strobist, to improve upon on my lighting techniques I decided to do some light experimentation of my own.  I wanted to experiment with a combination of backlighting and a highly reflective object, and I finally decided upon a wine glass, as it is not only reflective but clear and would show the backlighting within the glass itself.  The inspiration came from a shoot of Mr. Hobby’s where he photographed glasses of flavored vodkas.

The shoot started remarkably simply, just as the shoot of the vodkas did.  I placed the glass upon a small table, but rather than use plexiglass that would generate a reflection of my subject (as I have none) below the glass, I used white copy paper that would add additional reflection of my primary light.  For my backdrop I used a white sheet draped six or seven feet behind the table, and I intentionally left visible folds in the sheet to further add to the final texture and shapes of the gradient background.  I placed a speedlite on the ground below the backdrop aimed up at 1/8 power zoomed to provide a smooth gradient and took my first test shot:

I was very pleased with the silhouette and the gradient of the background, as well as the shapes the folds were creating, but it needed color.  I placed a blue gel on the background flash and tried a second test shot:

Now that was more like it.  This one had a little more punch to it, and the visibility of the background through the glass was working well.  My next task was to light the glass itself.  I was intrigued by the idea of using a self-fashioned softbox, so similar to the vodka shoot I cut apart a cardboard box and fashioned a softbox utilizing copy paper to diffuse the light.  This, combined with the paper below the glass, should not only light the glass but create more shapes in the form of reflections in the glass.

While in hindsight I can see several minor tweaks I could perform , I was ultimately pleased with the color, shape, and light upon the glass.  Next I tried lighting the glass with wine, and the photo proved bland and uninteresting.  The wine left no shapes within the glass.  I will experiment more tomorrow to see if I can find a more interesting way to shoot the glass with wine inside.

On Assignment: Willie Nelson Redux

I know this is an older one, but given the loss of my blog archives, I decided to repost a few photographs from the Willie Nelson concert I shot a few months ago.

The full shoot can be found here.